IT has become fashionable in many architectural circles to declare the 
death of drawing. What has happened to our profession, and our art, to 
cause the supposed end of our most powerful means of conceptualizing and
 representing architecture? 
The computer, of course. With its tremendous ability to organize and 
present data, the computer is transforming every aspect of how 
architects work, from sketching their first impressions of an idea to 
creating complex construction documents for contractors. Are 
our hands becoming obsolete as creative tools? Are they being replaced 
by machines? And where does that leave the architectural creative 
process?
Today architects typically use computer-aided design software with names
 like AutoCAD and Revit, a tool for “building information modeling.” 
Buildings are no longer just designed visually and spatially; they are 
“computed” via interconnected databases. 
I’ve been practicing architecture since 2002. Like most architects, we routinely use these and other software 
programs, especially for construction documents, but also for developing
 designs and making presentations. There’s nothing inherently 
problematic about that, as long as it’s not just that. 
Architecture cannot divorce itself from drawing, no matter how 
impressive the technology gets. Drawings are not just end products: they
 are part of the thought process of architectural design. Drawings 
express the interaction of our minds, eyes and hands. This last 
statement is absolutely crucial to the difference between those who draw
 to conceptualize architecture and those who use the computer. 
Of course, in some sense drawing can’t be dead: there is a vast market 
for the original work of respected architects. I’m personally fascinated not just by
 what architects choose to draw but also by what they choose not to 
draw. 
As I work with my computer and my staff today, I notice that
 something is lost when they draw only on the computer. It is analogous 
to hearing the words of a novel read aloud, when reading them on paper 
allows us to daydream a little, to make associations beyond the literal 
sentences on the page. Similarly, drawing by hand stimulates the 
imagination and allows us to speculate about ideas, a good sign that 
we’re truly alive. 
So what do you think about sketching?

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