Design Architecture of Luxury House in Surabaya, Period 2013

Another solution of Sustainable Architecture for Luxury Residential in Surabaya from Yulianto Maliang is a combination tropical and contemporer design on 2013.

An interesting facade design combination of line and colour

A big open space to give a natural light inside the room

A spacious sense for each of the room, and given detail attention on each room and room layout.

Each of project value is above USD 200,000.- with built up area above 350 sqm
Design and built quality is a priority.

Best regards,

Yulianto Maliang

(081 216 10178)

New Carnoustie Villa Series

The architecture of Kerala tells many stories. The way its architecture has been designed not only speaks about the artistic and technical capabilities of the craftsmen, but also about the progression and evolution of its society. 

Kerala has an abundance of architectural styles. Places of worship have been reworked over centuries, the styles differing according to the period of renovation, resulting in a vivid representation of an eventful political and cultural life. 

The new villa for carnoustie resort is has architecture designs that radiate warmth and an aura of timelessness

designs which are the realization of a desire to integrate the natural Kerala element.

A Three Bedroom Among Palms and Rice Paddies

This 2,300-square-foot house, completed in 2013, It was built in the traditional Balinese style, on a single level, with white stucco walls and a roof made of ironwood. Each room has access to the outdoors; flooring is mostly terra cotta tile; the woodwork on cabinets and windows is reclaimed old-growth teak. 

The entry is approached via a stone path that winds among frangipani trees. Orchids and staghorn ferns cling to the trunks of palms. The teak front doors open into a hallway flanked by the living room and the dining room. The kitchen, farther back, has a wood-topped breakfast bar and a sink handmade by a local steel worker; the countertops are Italian black granite. A covered outdoor walkway leads to the master bedroom, which has a timbered cathedral ceiling. Three walls enclose its en-suite bathroom; in place of the fourth is a private walled garden. The other two bedrooms, on the opposite side of the house, also have open-air bathrooms. 

The house is surrounded by countryside planted with rice paddies and coconut palms. Ubud is about 10 minutes away by car, although most people prefer to navigate the island’s narrow streets on scooters. Well known as a hub for the fashion industry, Ubud is home to many expatriate artists and spiritual seekers. The airport is an hour and a half away, in Denpasar. 

Published in New York Times

Green School Nature Art Work

Nature is the best artist and a limitless source of inspiration! And what better place to be inspired than here at Green School?  

What evolved was a collaborative art project that allowed for each of us to view our campus with ‘fresh’ eyes. Here is a sneak preview of the work produced...

A Model For Sustainable Development

Yulianto Maliang was commissioned to prepare a Master Layout Plan for an integrated Township on 600 ha of land in Indramayu, located outside of Cirebon City. The development is envisaged to be an mid-market Township that will accommodate a growing population within Indramayu seeking a different way of life.  The development is based on a vibrant, safe and secure, ecologically sustainable and modern environment, with national standard public and civic amenities, as well as places of leisure and recreation. 

The Master Layout Plan takes advantage of the Site’s strengths in terms of its existing natural environment, green vegetation, water bodies and mountain views which will be utilised as a backdrop to create a clean, green environment with extensive parks and recreation areas.  Viewpoints have been maximized throughout the Site with and a large Central Park acting as the development’s key central amenity.  A large institutional campus will be located on the largest site, acting as a catalyst for the region by becoming the focal point of research, development and education for the region’s industries and communities.  An adjoining site will include a large residential development and supporting town centre, while the smaller site on the other side of the Central Park will feature exclusive mid end villa communities, as well as a Nature Resort and Landscape, and a Convention Centre and adjoining Hotel.

Using the site’s unique and dramatic landscape, the vision developed by Yulianto Maliang is ambitious and innovative, borrowing ideas and strategies from the most modern and forward-thinking international approaches to design and planning. Stepping away from the typical style of other projects currently underway in the Country, this Project emphasizes and utilizes the natural attributes of the site to create a strong contrast using modern contemporary angular designs against the hilly, soft landscape that defines the Site.

The Modern of Modern

A new redefine of modern house in Surabaya.

Design is a Realistic Solution To a Problem

In an attempt to understand the underlying methods used in the creation of a design, a great deal of research has been undertaken into the nature of the intellectual process used by designers. What is clear is that there is no single method or system used by all designers, nor does any one designer appear to use any single method (Lawson, 1994). A designer uses many methods simultaneously, directed towards solving the problem and arriving at an acceptable solution.

The creative leap is more a process of building a bridging concept between the problem and its solution (Cross, 1996). In an observation of the design process, Cross determined that there was an ‘apposite proposal’ from one member which grew in acceptance by the other participants in the group trying to resolve the design problem. Once the basic proposal had been accepted the whole group swung behind the idea and then put all its efforts into making it work. This is contrary to the more conventional view of designers waiting for the blinding flash of originality, although the apposite proposal has to be derived from somewhere. But even this was the result of an evolutionary process.

The strategy that appears to be used most consistently is one that focuses on identifying several possible solutions or hypotheses. These ‘protomodels’ (March, 1976) are evaluated and each evaluation is used to refine the proposed solution until an acceptable answer is reached. For this to be effective the problem must be clearly stated.

Redefined the nature and complexity

The mixed-use development is located on a 200-hectare site along the Indramayu main road’s new central business district. The master plan incorporates a comprehensive range of development broken into several phases, consisting of 25,000 sq-m of offices, 100,000 sq-m of residential, 18,000 sq-m of hotel, and 52,000 sq-m of retail area.

The commercial component of Radiant City comprises two 11-storey grade A office buildings, one 5-storey 100-200 room hotel, a 10-storey serviced apartment block, and a large shopping mall. Though possessing a frontage of more than 550m in length, the complex’s functions avoid creating a ‘wall effect’ by being integrated as a curvilinear volume along the main road.

An urban plaza at the southern tip of the site creates an attractive open space for the surrounding community.

The main aimed this project is to create new definition of urban development and character on the new development city of Indramayu.

Learn in Folded Structures

 

Folded structures are spatial structures formed by the elements in the plane, different in form and materialization. Folded structures differ in: geometric form, the form of a base over which they are performed, the manner of performance, methods of forming stiffness, function and position in the building, and the material they are made of.

By using folded structures different spatial forms can be made. The straight elements forming a folded construction can be of various shapes: rectangular, trapezoidal or trian-gular. By combining these elements we get different forms resulting in a variety of shapes and remarkable architectural expression.

Based on geometric shape folded structures can be divided into :

• folded plate surfaces,

• folded plate frames,

• spatial folded plate structures.

Folded structures in the plane are the structures in which all the highest points of the elements and all the elements of the lowest points of the folded structure belong to two parallel planes.

Frame folded structures represent constructional set in which the elements of each segment of the folds mutually occupy a frame spatial form. This type of folded structure is spatial organization of two or more folds in the plane.

Spatial folded structures are the type of a structure in which a spatial constructive set is formed by combining mutually the elements of a folded structure.

Folded Architecture or Structure ??

Why Architects love origami ? because it achieves what buildings rarely do: frame space through extreme economy of means. Building technologies like 3D modeling and rapid prototyping have made it possible for architecture to mimic the elegant and sometimes complex folds found in origami making with minimal structural interference.

So what do you think about Origami Architecture ?

The Specification of Tropical Architecture

The principles applying to the architecture of tropical areas are so much similar to that of raw area.

1) The natural forces affecting on building design in tropical areas

1-1 Sunlight
Due to high sun energy in this area, the most attempts are made to locate the buildings in the shadows. In this area, wide and roofed verandas are used to prevent rain and provide a shadow on room walls, too.

1-2 The wind
Natural air conditioning is not that much important because of the warmth and humidity of the weather in the region. Therefore enough forecasts are not made to make drafty rooms.

Some big vents are installed in this climate in order to use chilly see breeze. Most of the buildings of the area enjoy vents. Nonetheless in the further areas that are less influenced by sea breeze, the vents are small and short, and there are no vents in many other areas. 

2) The effects of climate on buildings in tropical area

Skin wetness is one of the most important problems in the clement areas, which is due to the high humidity of the weather. Therefore the summary of the principles that should be applied in humid and clement climates are as follows:

· Installing influential and permanent air conditioning
· Protecting walls and windows against sunlight and rain penetration
· Preventing inside weather from warming in day
· Decreasing the warmth to the minimum amount at night

Big windows are very useful provided that they are protected against sunlight, rain penetration and insect entry. It is because such openers not only increase natural conditioning but also lead to the decrease of internal temperature at night and in the evening.

The most appropriate height of the windows is 5.5 to 1.5 meters from the ground. If higher distance is more suitable, it is better to use horizontal windows with joint and upward openers so that it leads the wind to downward (the room).

It is almost necessary to set up windows netting in order to prevent insects' entry to the room. Of course the netting reduces natural conditioning and wind stream inside the room. To reduce such a stream, the netting are set up wit some distance from the window and does not stick to the window.

The windows and big openers in humid areas should effectively be protected against sunlight. The visors of the windows should protect the internal space not only against direct rays but also against scattered rays that have a quite considerable amount in tropical climate. In some cases it is possible to adjoin walls, windows, rain and sunlight protection by expanding the ceiling area. The method is mostly essential in the areas with downpour and wind in which the wind directs the rain horizontally and causes rain penetration to splits and cracks.

3) The selection of building materials according to tropical climate

Due to the lessening of temperature fluctuation in tropical climate, high heat resistant and materials without heat capacity are the best ones. 

4) The effects of climate on buildings in tropical area

The effects of sun radiation in east and west require the buildings to have a tense format and cubed rectangle shape and locate at the east-west axis. This method is quite useful in making a stream inside the house and lessening humidity. If the building is located in shadow, the plan could be open and free.

Tropical Balinese Home

Bali possesses one of the world’s most sophisticated cultures, particularly visible in its architecture, both old and new. Houses in Bali were traditionally built according to the body measurements of the head of the household, to be sure of creating an environment that is totally harmonious for that family, a balance between internal and external world.

Modern architecture in Bali still seeks this harmony and uses many traditional approaches: open spaces, high ceilings, tiled floors, and an outward orientation, creating a place of peace, relaxation and total comfort, all set in a tropical paradise.

Especially in Bali, the buildings of the traditional architectural style, overall aesthetic element consists of three components as follows:

1. Aesthetic Building

Usually defined as the beauty of the building that is not made, and is designed for the purpose of art, but a greater emphasis on function and form. Its beauty is kept used materials, proportions and sizes styled tri angga pattern (head, body, legs), which form the roof, walls and floors, and its dimensions of human scale.

2. Structural Aesthetic

Structural element of beauty, often referred to as decorations, because this structure also supports structure building in a constructive way. Framework for building construction can provide natural beauty of the Interior. The beauty of traditional Bali structure buildings can be seen in particular in tugeh or support the roof. Tugeh are usually given a form of decoration, which comes from the kinds of colors (Patras/pepatraan).

Canggah wang construction, crosses and horizontal beams konstruki (characters) with a vertical pole (Saka). Usually appears as a mere embellishment shapes Patra. Saka is the core of building structures to support the upper load. In Saka, usually in the form of jewelry kekupakan is added.
 

3. Aesthetic Decorative

Traditional Balinese buildings are usually various forms of ornament, as reflected in the building arts. Decorative aesthetics appear as values and character design. Then the host adjust the buildings ornamentation.

Forms of ornament, which is called pepatraan or stiliran Patra, plants or flowers form. Kekarangan stiliran jewelry is a form of animals such as corals, coral goak Asti, and so on. Other decorations in the form of a more modest, even just to show the impression of the form keketusan, pepalihan, kekupakan and lelengisan.

"What's Wellness"

Often people have difficulties to explain the essence of the term “wellness”. If “spa” is more or less clear to us, “wellness”, due to its newness, is unclear to many of us.

But actually it`s really simple:

Everything that contributes to
the balanced state of body, spirit and mind of a person,
can be defined as wellness

Wellness of individuals is also viewed as a way of life, including such holistic aspects as self-responsibility, physical fitness, healthy nutrition, mental activity and environmental sensitivity and beauty care. The aim of the whole concept is to create a balance between the body, soul and mind.

The balance between different aspects of wellness as a combination of “well-being” and “fitness” is becoming a means of survival / lifestyle choice for many in an era of increasing competition, pressure and stress.

Taking time, valuating and enjoying present moments – this is the modern way of looking at quality of life.

Over the last decade the wellness and spa sector has witnessed a rapid expansion. Wellness and spa business within the tourism and hospitality industry has now become one of the key profit-yielding sectors in international business and its volume equals or even surpasses that of global oil exports or the food and car industries.

The Influence of The Material – Application, Design, and Aesthetics

 

 

Why Hire an Architect ?

" My builder says we don’t need an architect and we can save money using a draftsman. Why should we employ an Architect? "

An Architect will provide you with much more than just the drawings for your new project or alteration. Through the services of an Architect, you will be fully involved in creating a totally tailored solution for your living needs. An architect has the experience to see your project safely through to completion, overseeing the design through the planning and building regulations process and ultimately acting as liaison with the contractor. 

Architects on the other hand conceptualise your designs and are able to produce the documents and drawings necessary to physically build your idea. Essentially, the Architect is involved from inception to completion and know every material and building detail required which is why it’s common practice for Architects to also be Project Managers. 

You can hire an architect to manage any or all parts of the design and construction process. It is true that the design and building process actually varies from project to project so to make things simple to understand, 

What Do You Think About Sketching ?

IT has become fashionable in many architectural circles to declare the death of drawing. What has happened to our profession, and our art, to cause the supposed end of our most powerful means of conceptualizing and representing architecture? 

The computer, of course. With its tremendous ability to organize and present data, the computer is transforming every aspect of how architects work, from sketching their first impressions of an idea to creating complex construction documents for contractors. Are our hands becoming obsolete as creative tools? Are they being replaced by machines? And where does that leave the architectural creative process?

Today architects typically use computer-aided design software with names like AutoCAD and Revit, a tool for “building information modeling.” Buildings are no longer just designed visually and spatially; they are “computed” via interconnected databases. 

I’ve been practicing architecture since 2002. Like most architects, we routinely use these and other software programs, especially for construction documents, but also for developing designs and making presentations. There’s nothing inherently problematic about that, as long as it’s not just that. 

Architecture cannot divorce itself from drawing, no matter how impressive the technology gets. Drawings are not just end products: they are part of the thought process of architectural design. Drawings express the interaction of our minds, eyes and hands. This last statement is absolutely crucial to the difference between those who draw to conceptualize architecture and those who use the computer. 

Of course, in some sense drawing can’t be dead: there is a vast market for the original work of respected architects. I’m personally fascinated not just by what architects choose to draw but also by what they choose not to draw. 

As I work with my computer and my staff today, I notice that something is lost when they draw only on the computer. It is analogous to hearing the words of a novel read aloud, when reading them on paper allows us to daydream a little, to make associations beyond the literal sentences on the page. Similarly, drawing by hand stimulates the imagination and allows us to speculate about ideas, a good sign that we’re truly alive. 

So what do you think about sketching?

Effects of Climate on the Form & Elevation of Buildings

Using local material with respect to their stability and resistance toward heavy load and pressures, heat, cold, and also rain are the factors that affect the appearances of traditional architecture in Kerala, India.

In Kerala traditional architecture, the buildings are constructed according to the geographical location. And according to the position of the ceiling, there are some needs for decreasing the space, which is under the direct radiation of sunlight, choosing appropriate materials, constructing shades in each areas, walls, ventilation-shaft, central courtyards, shelters with expanded shadows, window facing sun, etc. These factors make buildings struggle with such external matters in such a way that the best internal space will be created without using the complex set of energy and pollutant system.

In another word, the past generations have known about the rules and using sun systems and have applied it all.

Futuristic Eco-Housing & Visionary Green Public Space Ideas

When it comes to sustainable housing and urban recreation, multi-functionality and biomimicry are the wave of the future, with communities intentionally designes so that residents have plenty of access to green space even in the most densely populated cities.

The green recreation spaces of the future are often designed to use space creatively, providing unexpected pockets of nature, while the lines are blurred between nature and architecture in conceptual eco-housing.